Highlights from August 2017


Another month another festival (lucky me!): in August – Edinburgh. Here two of my highlights were consumed. The third back in London – all three this month are plays (again).

First up, This Restless House at the Lyceum in Edinburgh. This is technically three plays, as it is Zinnie Harris’s genius reworking of The Orestia. She makes adapting look easy and avoids the usual pitfalls of trying to be too up to the minute, or overly reverential. Instead we get a haunting  and compelling play for today about the sins of the parents being visited on the children, and in Dominic Hall’s ballsy production all the elements are perfectly in tune: performances, music, design, lighting – all mesmerising – I was broken afterwards and I won’t forget it. If you can get to the Citizens in Glasgow to see it before it closes (on 9 September) you must. I really hope this one gets further life and comes south of the border.

Next the beautiful, theatrical Nassim, which I saw at the Traverse in a Bush production. I won’t say much about this as the surprise of the performance is what makes it – for audience and performer as it is someone different every time. And like the audience they have no idea what they are in for.  A funny, touching piece about ‘home’ and what that means, catch it (or something else by the excellent Iranian writer Nassim Soleimanpour) at the Bush in London as part of a retrospective of his work in mid-September.


Finally, back in London town, I had the delight of seeing Lions and Tigers at the Globe. To my shame I’d never been to the Sam Wannamaker playhouse before this – what a beautiful space it is. And I’m so glad I discovered it through Tanika Gupta’s engaging and relevant play about Indian independence and freedom fighter Dinesh Gupta in a compelling production by Pooja Ghai. The performances are everything in this intimate, candlelit setting and the actors were superb, telling the story with gusto and passion.  It continues until 16 September and you’d be a fool to miss it.

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