May was another bumper month culturally for me in a personal and wider way too. Not only did my new play The Scar Test (which opens at Soho Theatre in July) go into rehearsal with a cracking team on board, I also saw two astonishing pieces of theatre and made a film:
First up I went to The Ferryman by Jez Butterworth at the Royal Court. Directed by Sam Mendes it has a massive cast including a host of young children and is set in Northern Ireland at the height of ‘the Troubles’. I had my reservations before I saw it – could the writer pen anything to rival his amazing play Jerusalem? Also even though I saw an early performance there was already a lot of buzz about it – could it live up to the hype? For me it really did – amazing performances, nuanced writing encompassing the poetry and drama we all know to expect from classic Irish plays, plus a deeply compelling personal and political story. It did the thing great historical plays should – made me draw comparisons with today and none as stark as the conflict of how best to fight oppression
– peacefully with the pen or with direct action and even violence. The plight of the Irish Hunger strikers is also referred to in the play and it made me think about similarities with the current Palestinian hunger strikers imprisoned in Israel. I found it so compelling that as soon as I got home I booked to see it again – you don’t get much higher praise than that.
Next, another historical play, this time at the beautiful Lyceum in Edinburgh: Glory on Earth by Linda McLean tells the story of a young Mary Queen of Scots and her early days after returning to Scotland from France when she met John Knox – the man considered the founder of the Presbyterian Church of Scotland. He hated Mary and everything she stood for. This beautiful piece of theatre imagines those days and meetings with Knox and Mary and her ladies in waiting (here a chorus of Marys) and we get the very distinct feeling that from the outset the poor woman’s fate was sealed. The way David Grieg’s production playfully portrays this world as a fusion of then and now with oversized ruffs, embroidered boots and the court dancing to Christine and the Queens is so delightfully imaginative. I learned something new and I was massively entertained. What’s more it’s so rare see a play that’s all females on stage (as this was – all bar one) that I left feeling hugely inspired. It’s a brilliant production and one worth travelling for.
Finally I have to include my short film. I wrote The Record a couple of years ago and won the Tommy Vine screenwriting Award at the Underwire film festival – which was some money towards making it. Thanks to my brilliant producers and SHH productions a dream team was pulled together including two young and incredibly talented actresses who withstood two gruelling days of filming like the pros they are. I was a wreck, barely slept the night before flapping about on set like a fifth wheel. Long and short is it’s going to be brilliant despite my involvement! Watch this space …